October 19, 2017

Galen Rowell and Landscape Photography

At the North American Nature Photographers Association (NANPA) blog is an article sharing five things the author learned from working for famed photographer Galen Rowell. They apply equally well to digital photography as film.


Rainbow over Ninepipes Wildlife Refuge, Montana

Also check out this post of tips for all types of photography from Galen's suggestions.

7 Things Galen Rowell Can Teach You About Photography

You can learn more about Galen Rowell from the website of his Mountain Light Gallery which is closing at the end of October. Be sure to watch the video featuring Rowell.

October 13, 2017

Learn Your Camera Settings

If you are disappointed with the sunset pictures you get from your digital camera, try changing the White Balance setting from Automatic to Daylight for colors more like you saw. Learn this and other camera controls to improve your images in Getting to Know Your Digital Camera beginning October 24 in Missoula, Montana. Click here to register. http://tinyurl.com/hqyg9br

October 2, 2017

The Power of Raw

Saving your images in the camera's raw format instead of JPEG gives you much more flexibility to produce a photo as you saw it. In the glaring midday sun of the Augusta, Montana, rodeo, that extra editing room allowed me to reveal all the information in the highlights and shadows of this barrel racer.

Raw image straight from the camera

Raw image after editing with Adobe Camera Raw

You can learn how to get the most from your camera's image in Shooting & Processing Digital Camera Raw Files that begins October 26 at the Lifelong Learning Center in Missoula, Montana. Click here to register.

September 29, 2017

Precise Local Changes with Layers & Masks

It's relatively easy to make changes to our pictures overall. But some photos need adjustments to specific areas without affecting the image as a whole. Using layers and masks in photo editing software like Photoshop Elements lets you precisely apply changes to only those areas that need them.

In this photo of fireweed and burned tree trunks, the bright yellow wood where the bark had fallen off distracts from the plants. Using adjustment layers, I darkened and desaturated the color. Using layer masks limited the effects only to those areas, leaving the rest of the image untouched.

Image before adjustments to tree trunks

Image after specific local changes to the tree trunks

Becoming proficient with adjustment layers and masks in Photoshop Elements opens up another layer of creative control and finesse. You can learn these and other layer techniques in my Photo Editing - Layers & Masks course beginning November 6 at the Lifelong Learning Center in Missoula, Montana. Click here to register.

September 28, 2017

Get Better Color with White Balance

All digital cameras use a setting called White Balance to try to reproduce colors as we see them. However, the automatic white balance setting, which every camera is set to by default, removes the very intense colors of the sunset that inspires us to take the picture in the first place.

To change this automatic setting, you need to switch your camera from total automatic exposure to the equivalent of Program exposure mode, indicated by the letter P on the exposure dial. Program is still automatic, but it's more adjustable than basic automatic.

Canon Exposure Dial set to Program (P)

In Program mode you can change the White Balance from automatic to daylight (indicated by an icon of a sun). The daylight White Balance setting does not try to change the colors in the scene; it records them just as they are. The White Balance control may be a button on the outside of the camera or a choice in the menus.

Sunrise with automatic White Balance

Daylight-Sunny White Balance Icon


Sunrise with daylight (sunny) White Balance

So switching to Program mode and daylight White Balance when you want to photograph a sunset should give you much more colorful results. Learn more about the controls on your digital camera in Getting to Know Your Digital SLR Camera at the Lifelong Learning Center in Missoula, Montana. You can take a single-day Saturday class on October 14 or a five-session class beginning October 24. Click here to register.

September 27, 2017

The Second Best Landscape Photography Accessory Part 2

Using a polarizing filter enhances the colors of your landscape photos, as I described in yesterday's post. An additional benefit of a polarizer is that it can remove reflections from wet surfaces, such as rocks and water, to reveal both richer color and what lies below the surface.

If you are photographing a waterfall,  river, or pond, there are often reflections of the sky on the water's surface or the wet rocks nearby. These reflections or glare disguise the true colors underneath. Using a polarizer, you can reduce or eliminate these reflections.

With no polarizer, the reflection of a cloudy sky obscures
the rocks below the water's surface.

With a polarizer, the gray haze reflection is gone and
the rocks are clearly visible along with being more colorful.

A polarizer is also helpful when photographing waterfalls where the splashing water wets the surrounding surfaces. These reflect the sky and hide the rich rock hues. A polarizing filter can remove the glare.

With no polarizer, the wet rock at the top has shiny reflections.

With a polarizer, the reflections on the wet rock at the top disappear.

Learn about more filters and practices to improve your images in my Better Landscape Photos class that begins Thursday, September 28, at the Lifelong Learning Center in Missoula, Montana. Click here to register.

September 26, 2017

The Second Best Accessory for Landscape Photos

If the first best accessory for improved landscape photos is a sturdy tripod, the second best is a polarizing filter, or polarizer. A polarizer eliminates glare and reflections. In turn, the colors in your image are richer, clouds pop out of the sky, and haze is diminished.

This dark filter is two pieces of glass combined. After you attach it to your lens, turning the outer portion of the filter creates the effect. This allows you to dial in how much polarizing effect you want. And you can see the results as you look through the viewfinder or at the Live View screen.

Without a polarizing filter

With a polarizing filter

In broad landscapes the polarizer is most effective when the sun is at right angles to the lens; in other words, when the sun is to your left or right relative to the camera. The filter has little or no effect when the sun is behind or directly in front of you (such as photographing a sunset).

You need a circular polarizer (not a linear one) to work with your camera's auto exposure feature. And to find out the right filter size for your lens, look at the number printed on the inside of the lens cap.

Using a polarizing filter for your landscape pictures can make a dramatic difference. Learn more helpful practices in my Better Landscape Photos class beginning Thursday, September 28, in Missoula, MT, at the Lifelong Learning Center. Click here to register.

September 25, 2017

When Bigger Is Not Better

Traditional advice for sharp pictures is to set the camera's aperture to the smallest opening, or the biggest F-number. But this is not always necessary. If the subject you are photographing is all at the same distance from the camera, then you do not need lots of depth of field. This means you can use the lens's sharpest aperture instead, which is usually one of the middle apertures, such as f/8 or f/11.

In this photo of an old door on a historic building, my subject is flat; everything is the same distance from the camera. I made sure my camera sensor was also perfectly square to my subject and then set my aperture to f/8. I did not need to stop down further to get a sharp image.

A flat subject can be photographed with the lens's
sharpest aperture, in this case, f/8.

Learn this and other depth of field approaches in my Creative Camera Techniques class that begins Monday, September 25, in Missoula, MT at the Lifelong Learning Center. Click here to register.

September 22, 2017

Enhance Your Images with Adobe Camera Raw

Learning to shoot and develop raw image files gives you the ability to refine your vision for the picture the way master wet darkroom printers do. In the before and after versions of this backlit group of autumn trees, I was able to adjust the cropping, exposure and color to create a photo that reflects the qualities in the scene that appealed to me.

Original image before processing

Final image after processing with Adobe Camera Raw
Learn how to get the most from your camera's raw photos in my Shooting and Processing Digital Camera Raw Files class beginning October 26 at the Lifelong Learning Center in Missoula, Montana. Click here to register.

September 21, 2017

Strong Foregrounds Make Strong Landscape Photos

When we're shooting a beautiful landscape, we often focus our attention on a distant part of the scene. Including a relevant and appealing foreground subject in our composition helps the viewer feel part of the environment and increases the feeling of depth or distance in the photograph.

In this image some lupine beside a pond reflecting the clouds in evening light makes an interesting foreground to draw the viewer into the scene before their gaze moves on to the distant trees and sky.


Learn more techniques in my Better Landscape Photos class beginning September 28 at the Lifelong Learning Center in Missoula, Montana. Click here to register.

September 20, 2017

Be Smarter Than Your Camera

We often assume that the camera records our subject as it appears to our eyes, but this is not always the case. When our subject is very dark or very light, the camera gets fooled and makes an inaccurate exposure. Using exposure compensation to override the camera's choices can give us a better picture of dark and light subjects.

In the two photos here, the black urn tricked the camera into making the wrong exposure. By setting exposure compensationto -1, I got an image that better reveals what the urn looks like.

Camera's Exposure
No Exposure Compensation

Adjusted Exposure
-1 Exposure Compensation



Learn how and when to use the exposure compensation control in my Getting to Know Your Digital SLR Camera class starting October 24 at the Lifelong Learning Center in Missoula, Montana. Click here to register.

September 19, 2017

High Key & Low Key

Photographing the same subject to make a high key and a low key version can produce strikingly different moods. Much of the effect comes from the background and subject itself as well as the lighting and exposure. In the two photos here, a white and a black background serve to enhance the exposure effect.




You can learn this and other fun approaches in my Creative Camera Techniques course beginning September 25 in Missoula, MT, at the Lifelong Learning Center. Click here to register.

September 18, 2017

More Winter 2017 Missoula Classes Open for Registration

I'm happy to announce that I've added several more photo editing classes to go along with the camera skills courses already available at The Lifelong Learning Center in Missoula, Montana. These new courses are designed for more experienced photographers and concentrate on advanced photography and editing skills. I still have seats in beginning and intermediate camera courses designed primarily for people with interchangeable lens models (DSLR or mirrorless). Read the descriptions below for more information.
  • Advanced Digital Photography
  • Advanced Camera Raw Processing
  • Photo Editing: Layers and Masks
I hope you can join me!

Read more...

August 22, 2017

Getting Started with Lightroom Videos

Adobe Lightroom Library Module

If you are new to Adobe Lightroom, you may feel overwhelmed by all the choices in the many sections, or modules, of the program. I recently discovered a series of short videos on the Adobe web site that explains how to organize, edit and share your photos using this great photography software.

Take Your First Steps with Lightroom and Photoshop

Most of the presentations are hosted by Ben Willmore, one of the best Photoshop and Lightroom instructors out there. He demonstrates using a Mac, but if you're a Windows owner, don't worry. All the sliders and steps are the same. You only have to be aware of two differences: 1) When the instructor mentions the Command key, substitute the Control key, and 2) When the instructor talks about the Finder, that means Explorer for Windows.

Take a few minutes to watch these videos. Along with essential organizing and editing information, there are also great tips and answers to common questions that you are sure to find useful.

P.S. If you would like to see more of Ben's videos, check out his classes on Creative Live!  I am not affiliated with Mr. Willmore in any way.

August 17, 2017

Practicing Photography for the Solar Eclipse

You've no doubt realized by now that a total solar eclipse will dash across the continental United States next Monday, August 21, 2017.  If you plan to photograph the show, you should already have your solar filter for your camera and a pair of solar glasses for viewing the eclipse directly. Now is a perfect time to test your equipment and accessories to be sure you know where to point your lens and what settings to use before the excitement begins.

First Test Exposure of the Sun
2 seconds, f/11, ISO 100

Evaluative metering
168mm equivalent focal length

Check NASA's web site for when you can see the eclipse. Where I live in western Montana, the sun will be about 92% eclipsed. The eclipse begins at 10:15am with the maximum effect at 11:31am and ends by 12:52pm MT.

Best Test Exposure of the Sun
1/25 second, f/11, ISO 100

Spot metering
448mm equivalent focal length

I took my equipment out to a local park where I have a clear view of the eastern sky and tested for exposure and framing at the time when the eclipse will occur. Here's some of the things I discovered.

Read more...

July 31, 2017

Improving Your Photographs

The PBS show Rare: Creatures of the Photo Ark  highlights the efforts of National Geographic photographer Joel Sartore to document the world's endangered species with studio style portraits. It is a worthy project and watching the show provides you with insight into what professional photographers do to capture their images.

On the program's website, Joel provides a dozen tips for better photos. Among my favorites are #2 Good photographs have nice light, a clean background and an interesting subject.


#4 To get good nature photographs, you need to shoot before sunrise and after sunset. And #5 you need a tripod and a cable release to ensure a sharp photo under these conditions.

Sunrise, Red Rock Canyon National Conservation Area
Las Vegas, Nevada

Check out the complete list at Joel's Photography Tips.

July 24, 2017

Great Photos in the Middle of the Day

If you've read very many articles either online or in books about the best time to photograph outdoors, you have no doubt heard the recommendation to photograph during the "golden hours" around sunrise and sunset. Most of these articles suggest you use the middle of the day to scout or take a nap. But you can make great photos in any kind of light, even that of midday sun.



Read more...

July 20, 2017

Understanding Color for Creative Effects

Many photographers make color images without consciously paying attention to the relationship of different hues in their pictures. Understanding the basics of color theory can help you create photographs with more impact. The opposite, or complementary, colors of blue and yellow in the picture below are a large part of its appeal.


Understanding color theory also helps you edit your photos more effectively. Keeping the RGB/CMY color wheel in mind helps you know which color to add to your picture to neutralize an unwanted color cast, for example.


Combining equal amounts of opposite colors creates a neutral color of white, gray or black, depending on the original brightness of the colors. Adding the appropriate amount of magenta to the first photo below removes the green color cast that makes the second photo more appealing.


Color Theory and Photography: A Primer on B&H's Explora web site gives a great introduction to basic color theory along with examples to illustrate the ideas. Well worth the read!


July 17, 2017

Fall 2017 Classes in Missoula Open for Registration

I'm happy to announce my fall camera and photo editing classes at The Lifelong Learning Center in Missoula, Montana, are now available for registration. I have a full schedule of beginning and intermediate courses designed primarily for people with interchangeable lens cameras (DSLR or mirrorless). Read the descriptions below for more information.
  • Getting to Know Your Digital SLR Camera
  • Better Landscape Photos
  • Creative Camera Techniques
  • Photography Challenge
  • Shooting & Processing Digital Camera Raw Files
I hope you can join me!

    July 13, 2017

    Photographing the Solar Eclipse 2017

    As you may know by now, on August 21, 2017, a solar eclipse will occur whose path of totality spans the entire United States. Even if you are not in the complete shadow of the moon hiding the sun, you can still get interesting photos of this astronomical event.

    May 1993
    Partial Solar Eclipse
    Las Vegas, NV

    Read more...

    June 28, 2017

    Preparing a Custom Print Size for Photo Lab Printing

    Recently one of my photography students wanted to have a stitched panoramic image printed at a local photo lab. This lab did not offer the print size she wanted in a panoramic proportion. When she got her print back, it was not as large as she wished.

    Panorama of the Yellowstone River and Absaroka Mountains, Montana

    If you ever crop a photo to a custom proportion such as a panorama, you can prepare the image so that it can be printed on a larger piece of photo paper and then you can trim it to size afterwards.

    Read more...

    June 19, 2017

    Calling Women Photographers


    Are you feeling stuck in a photographic rut? Are you looking for a different workshop experience than just how to operate your camera or Lightroom? Are you seeking more of a retreat and less of an adventure atmosphere? Then consider joining Eileen Rafferty and Elizabeth Stone in Montana this fall for Creativity for Women.

    Read more....

    May 24, 2017

    Summer Photography Classes Filling Fast!

    My summer photography classes at the Lifelong Learning Center in Missoula, MT, are filling fast. There is still space in Hands-on People Photography as well as Night & Low Light Photography at the Fair. 

    Want to make better pictures of your family and friends? Join me and co-teacher Bret Tate for Hands-on People Photography, June 6 & 10. We'll have a classroom session to help you with the best camera settings for proper exposure and how to make those blurred backgrounds. along with information about the best light. Then we will practice during a Saturday field shoot and critique. Come join us!



    Expand what you can do at the fair by learning how to photograph carnival lights as well as presenters and fair goers in the dim light of exhibit halls in Night & Low Light Photography at the Fair, August 8-10 & 15. We'll meet in the classroom to get tips on both subjects and then practice two nights at the Western Montana Fair. The following week we'll share our images back in the classroom. It will be great fun!



    Photography in the Field, June 1-22, is full, but you can add your name to the waiting list in case someone drops.

    See you this summer!

    May 17, 2017

    Beyond What the Camera Captured

    Many of my photography students have no experience with developing and printing their photos in the black and white darkroom. So it is difficult for them to imagine how an image that they like as it came from the camera could be improved or even transformed by using photo editing tools. If you are like them, then you may find this video illuminating.


    Brooks Jensen, editor of Lenswork Publishing, illustrates the range of changes it's possible to make using Lightroom. Some images have very few edits and others have extensive work applied. The point is not how to use Lightroom (such adjustments could be accomplished with a wide variety of photo editing programs), but to illustrate the creative potential that comes after we click the shutter button. I hope you enjoy it.

    Beyond What the Camera Captured by Brooks Jensen

    May 15, 2017

    Discovering Projects in Your Photo Library

    After we've become competent with shutter speeds, apertures and ISO settings on our cameras, one of our challenges is how to maintain our interest and passion for photography. One option is to move beyond making the "trophy" image and begin to work with photographic projects. A project results in a collection of related images (usually somewhere between 5 and 30 pictures) that tell a story, illustrate a concept or explore a technique. But how do you come up with a group of photos?

    Dreams of Blue

    In his podcast Brooks Jensen, editor of Lenswork Publishing, shares a technique he learned many years ago in a workshop with David Bayles (co-author of Art & Fear). It is so effective that Brooks has used it ever since to find the gems hidden in his photographic library.

    The Bayles Exercise podcast

    I had a similar experience from looking through my photos when I discovered a design that I'd been using without realizing it. I have frequently photographed a series of vertical lines in a horizontal frame. I have applied to a variety of natural and man-made objects.

    Rhythm of Vertical Lines

    If you are searching for a way to make projects out of the work you have already completed, take time to listen to Brooks' suggestion. I'm sure it will help you.

    April 3, 2017

    Summer Photography Classes Begin May 12

    My summer photography classes through the Lifelong Learning Center in Missoula, Montana, are now open for registration.

    On May 12 you can spend a day Getting to Know Your Digital SLR Camera. Learn about different exposure modes and when to use them for better focus and exposure in your pictures. Understand the various autofocus settings available and when to use them or switch to manual focus. Find out about megapixels, histograms and JPEG versus raw file formats. You’ll walk away with the skills to make the most of your digital SLR camera.

    Late Light on the Mission Mountains
    Ninepipe Wildlife Refuge, Montana
    See more classes...

    March 27, 2017

    The Grace of Trees #43

    The Grace of Trees #43
    Missoula, Montana

    This is the final image from my first book of photos The Grace of Trees. I hope you have enjoyed this preview. There are still copies available for purchase. See my web site for details.

    March 26, 2017

    The Grace of Trees #42

    The Grace of Trees #42
    Alberton, Montana

    March 25, 2017

    The Grace of Trees #41

    The Grace of Trees #41
    Missoula, Montana

    March 24, 2017

    The Grace of Trees #40

    The Grace of Trees #40
    Missoula, Montana

    March 23, 2017

    The Grace of Trees #39

    The Grace of Trees #39
    Missoula, Montana